The prime minister has been pushed to defend his chancellor after she was accused of lying in the run-up to the autumn budget. Rachel Reeves is alleged to have misled the public by citing bleak economic forecasts from the OBR to justify tax rises, even though the figures were more positive than she suggested. Lucy Hough is joined by Archie Bland, the head of national news

The director worked with theatre colossus Tom Stoppard on two smash hits. Here, he remembers their heated rehearsals, the night they stayed up watching Jaws – and the last four cigarettes they smoked together

Tom was my hero from the night I first saw Travesties in 1979. I was 15. The older kids at school did a production of it and I was spellbound; it was glamorous, sensual and completely incomprehensible. I wanted to know everything about this cool, obscure playwright. I started in the school library with the Encyclopedia Britannica. Then I read Rosencrantz and Guildenstern are Dead (incomprehensible) and then I read a third of Jumpers before giving up (totally incomprehensible).

As an English Lit student in the mid 1980s, I studied Stoppard and found his work slightly less incomprehensible. But in 1993, I saw the original production of Arcadia and felt that same spell I’d felt as a child. Let’s call it art. And beauty. And words spoken from a stage like no one else. A couple of years later, my first play, Dealer’s Choice, had just opened at the National Theatre and Tom was on the board. Someone told me: “Stoppard saw your play and mentioned it in some speech to donors as a good example of new writing at the NT.” A week or so later, I met him at a drinks do. He approached me. He approached me. All hair and suit and cigs and warmth. He gave me a hug and told me I was a proper young playwright.

Keir Starmer may be keen to move on from the budget megashambles, but chaos is hardwired into his party

Freud has a word for it. Thanatos. Up till now it’s been tempting to give Labour the benefit of the doubt. That being in opposition for 14 years has made them ring-rusty. That they’ve forgotten how this government thingy works. Hadn’t quite realised they were supposed to be in charge.

But now it’s beginning to look like Labour has a death wish. Not that it doesn’t quite know how to run the country, more that it is hell-bent on self-destruction. This isn’t a matter of incompetence: it’s a deliberate act of self-sabotage. Almost as if it doesn’t quite believe it deserves to be in office, or is too self-conscious to be in power. The opposition benches are its feelgood safe space.

A year in Westminster: John Crace, Marina Hyde and Pippa Crerar
On Tuesday 2 December, join Crace, Hyde and Crerar as they look back with special guests at another extraordinary year, live at the Barbican in London and livestreamed globally. Book tickets here

The Bonfire of the Insanities by John Crace (Guardian Faber Publishing, £16.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.

‘I spent the 90s with Pam – clubbing and partying in the way those times demanded. What I saw was a truly groundbreaking artist, and a life marked by independence, courage and kindness’

• Pam Hogg, fashion designer with a rock’n’roll spirit, dies at 66 – news
• Pam Hogg – obituary

There are people who live life to the full, then there’s Pamela Hogg. Pam’s tenure on this earth is a trawl through just about every significant cultural and creative moment in the UK over the last 30-odd years. One of our most groundbreaking artists, Pam was a colourist of Warholian proportions, creating art to be hung on the body rather than the walls of a gallery. She was a punk who provocatively mashed up gender and sexual stereotypes. Fashion was the art form that freed her imagination, and her success was due to her talent and drive being greater than her disdain of the conformist industry and the gatekeepers surrounding it.

I sat in St Joseph’s hospice in London by her unconscious but serenely beautiful figure – as if she’d made her exit into another work of art – telling her that her jam-packed life was characterised by creativity, independence, courage and kindness. “Hoggy, you left absolutely nothing on the table.”

They wrestled steel beams, hung off giant hooks and tossed red hot rivets – all while ‘strolling on the thin edge of nothingness’. Now the 3,000 unsung heroes who raised the famous skyscraper are finally being celebrated

Poised on a steel cable a quarter of a mile above Manhattan, a weather-beaten man in work dungarees reaches up to tighten a bolt. Below, though you hardly dare to look down, lies the Hudson River, the sprawling cityscape of New York and the US itself, rolling out on to the far horizon. If you fell from this rarefied spot, it would take about 11 seconds to hit the ground.

Captured by photographer Lewis Hine, The Sky Boy, as the image became known, encapsulated the daring and vigour of the men who built the Empire State Building, then the world’s tallest structure at 102 storeys and 1,250ft (381m) high. Like astronauts, they were going to places no man had gone before, testing the limits of human endurance, giving physical form to ideals of American puissance, “a land which reached for the sky with its feet on the ground”, according to John Jakob Raskob, then one of the country’s richest men, who helped bankroll the building.

The husband and wife team cook up a winter storm with lamb shoulder, dauphinoise and brown sugar meringues – just don’t ask them who’s doing the cleaning up

When I first started seeing Mattie, there was a constant dinner party at his mum’s house,” recalls pastry chef Ravneet Gill. “There were loads of people there all the time, being fed with massive bowls of home-cooked food and a big block of parmesan.” There was an open-door policy, with pastas and roast meats on heavy rotation, confirms her now-husband and fellow chef, Taiano. And it’s this sentiment that has carried through to the couple’s restaurant, Gina, which opened in Chingford, east London, earlier this year, a process they documented in their newsletter, Club Gina.

Named after Taiano’s late mother, it is very much a neighbourhood joint, Gill points out, with the food – from pithiviers and vol au vents to Gina’s pasta with tomato sauce, half a roast chicken with little gems and aioli to share on Sundays, and slabs of “Ravi’s” chocolate cake – an extension of how the couple like to eat.

Richard Hughes takes ‘full responsibility’ for watchdog error as Starmer attempts to secure chancellor’s position

The chair of the Office for Budget Responsibility has resigned after a damning internal inquiry into the leak that threw Rachel Reeves’s budget into chaos described it as the “worst failure” in the institution’s history.

The departure of Richard Hughes, who said he took “full responsibility” for the watchdog’s failure to handle sensitive information, dragged the rolling recriminations over the budget into a fifth day.

Exclusive: Richard Hermer, a senior Jewish minister, says Reform leader ‘clearly deeply hurt’ many people with his alleged behaviour

The UK’s top law officer, one of the most senior Jewish government ministers, has urged Nigel Farage to apologise to school contemporaries who claim the Reform UK leader racially abused them while at school.

The attorney general, Richard Hermer, said Farage had “clearly deeply hurt” many people judging by their descriptions of his behaviour, and that his “constantly changing” denials had been unconvincing.

Some members say supporters of Jeremy Corbyn and Zarah Sultana will continue battle over ‘soul of the party’

Your Party faces a potential proxy war between supporters of Jeremy Corbyn and Zarah Sultana after members opted for a collective model of leadership, insiders have warned.

Members voted narrowly in favour of an initial period in which the new leftwing party is guided by a 16-strong central executive committee at its inaugural conference at the weekend. The decision avoided a direct and possibly brutal contest between Corbyn and Sultana to be sole leader, the other option available.

Avanti service was to have been axed from mid-December but would have still run because of needs out of Euston

The express Manchester-London 7am Avanti service will take passengers after all, after the rail regulator conceded defeat in the face of public outcry over a ruling that would have left it running as an empty “ghost train” each day.

The 7am train, the only service linking the cities in under two hours, was set to be axed from the passenger table from mid-December – but would, as the Guardian reported on Saturday, have kept running empty from Piccadilly each day so it could run morning trains back out of Euston.