(Atlantic)
How do you follow up the album that made you a star – and a caricature? In classic Charli style: with a pivot to guitar and a meta masterpiece about the instability of identity

After a decade spent trailblazing a unique kind of pop freedom from the genre’s fringes, A-list success seemed like the thing that might finally trap Charli xcx. Her 2024 club-rat opus Brat spawned memes, embarrassing political bandwagoning, Collins’ word of the year and possibly terminal damage to the bra industry. Its ludicrous cultural impact looked set to pickle her as a caricature of a Parliament-toting bad girl; the question of whether “Brat summer” could last – whether Charli could sustain the interest – was so rife she turned it into a mockumentary, The Moment. It made success look miserable: your creation turned cringe by execs wanting to milk their prize cow dry of every last acid-green drop.

Even for a pop star renowned for reinvention, it put a higher price on her next move. Pivot and risk losing new fans and looking wilfully contrarian. When Charli released the sub-two-minute single Rock Music, many heard it as a middle finger. “I think the dancefloor is dead,” she drawls over guitars that buzzed like speakers weathering interference from a Nokia 5110, “so now we’re making rock music.” There were boring thinkpieces about the dancefloor being very much alive, actually (as if Charli had ever ridden culture for clout then binned it off), and about whether she was trying to eject fair-weather new fans. But the key to this cheeky song is surprisingly earnest: “Jump off the stage / I hope they catch you today / But if they don’t it’s OK,” she sings naively, an affirmation to take creative leaps, and to come with Charli – or not, as you like – as she takes this one.

Since I started doing search and rescue five years ago, I have found seven survivors. Sadly, the number I find dead is higher

In 2012, I was a student and had arrived in Taiwan from the Czech Republic. I soon discovered something that interested me far more than my studies: the mountains of Taiwan. I would leave the campus to explore untouched trails near Taipei. I was obsessed with old maps, often looking for routes that had vanished from modern ones, and hiking paths that no one had taken for decades.

I stayed in Taiwan because of my love for the mountains – there are more than 250 peaks that exceed 3,000 metres. Among the local hiking community, I became known for my speed and knowledge of remote regions.

Versions of Amy Winehouse and hundreds of other musicians are generating millions for beleaguered UK venues. But what is the emotional toll for the imitators, and are they pushing out original artists?

As peak heatwave sun beams down on to a field in Derbyshire, Amy Winehouse tells the crowd she is in need of hydration – so Robbie Williams fetches her a drink. Elsewhere, members of the public stop the Beastie Boys for selfies, Fred Durst grooves along as Diana Ross covers Al Green, and shirtless teenagers form a circle pit during Korn as a woman sits knitting in a camping chair just behind them. James Brown and Prince turn out to be the same artist – just dressed up in different clothes.

These are all scenes from Replika festival last month, which won the Guinness world record for the biggest tribute festival, with 108 acts performing across a very sweaty weekend. The punning deserves an accolade of its own: acts included Catfishing the Bottlemen, Pearl Scam, Wrong Jovi and Iffy Clyro.

Power has been too centralised in Britain and tackling that is key to progress and prosperity. This initiative is ambitious: we’re remaking the state

• Andy Burnham is prime minister of the United Kingdom

On Monday, while the cameras were fixed on that famous black door in Downing Street, something important was happening 165 miles away. A small team of officials and advisers were walking into an office building in Manchester to set about the remaking of the British state.

This was the beginning of No 10 North: the first major act of this government and what I hope will be seen as its most defining.

Andy Burnham is the prime minister of the United Kingdom

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The unprecedented expression of dissent against India's government, headed by the prime minister, Narendra Modi, has shown no sign of abating, as protests by the youth-led “cockroach” protest movement entered its fourth day.

The Guardian’s south Asia correspondent Hannah Ellis-Petersen was on the ground in Delhi, where thousands still thronged the streets, many having travelled hundreds of miles to be there.

While the Cockroach Janta party has primarily focused on accountability for the devastating recent leaks of exam papers and called for the resignation of the education minister, Dharmendra Pradhan, the overriding feeling as the week develops is that this is now bigger than one issue. 

For some, this is the moment that India’s youth – totalling more than 600 million – found its political voice.

Pre-Covid, the movie landscape was dramatically different: YouTubers weren’t dominating the box office, video game spin-offs rarely made an impact and Winnie-the-Pooh wasn’t yet the star of a slasher movie. Why such a flurry of innovation – and what will be next?

Cinema has always been a medium of research and development. At any given point, the industry is searching for yet another breakthrough that can drive it into the future. Synchronised sound in the 1920s. Technicolor in the 1930s. The invention of the modern blockbuster in the 1970s.

Conversely, the consensus is that, if the 2020s has a defining trend, then it is one of decline. The theatrical experience is under attack from all angles: streaming, YouTube, a once-in-a-century health crisis that shut cinemas down entirely. And yet, if you look closer, this has actually been one of the most innovative decades that cinema has ever seen. Whether down to technology or desperation, the film industry has spent these last few years figuring out new ways to make films that simply could not have existed even at the turn of the decade.

The new tariffs will replace a 10% global duty set to expire on Friday, and comes as after the US supreme court declared many of the earlier levies were illegal

Donald Trump has imposed a fresh round of sweeping tariffs on more than 80 countries to replace a 10% global duty that was due to expire, setting off a wave of criticism and protests from US allies and major trading partners.

In its latest attempt to instate aggressive trade policies despite challenges from the America’s highest court, the US has imposed a tariff of between a 10% or 12.5% on dozens of countries, including the United Kingdom, Mexico, Canada, Australia, India, China and the 27 countries that make up the European Union. It effectively replaces the blanket 10% tariff that Trump imposed in February, right after the US supreme court declared that many of his earlier tariffs were illegal.

Burnham says ‘no one in government loses when power is shared’ as he revives Brown-era national economic council

• It’s not just a No 10 in the north, it’s an engine for growth throughout the whole UK | Andy Burnham

Regional mayors are to be given a leading role in the UK’s economic policy, Andy Burnham has said, as he called the opening of No 10 North “the biggest rebalancing of power our country has seen”.

The new prime minister has revived the national economic council [NEC], first set up by Gordon Brown to put the government on a war footing during the 2008 financial crash, arguing that economic growth requires the same level of urgency, focus and collective action.

Exclusive: Clinical assessments concluded Rudakubana could not be safely managed in prison, sources say

The Southport killer Axel Rudakubana has been moved from prison to a psychiatric hospital after clinical assessment, the Guardian can disclose.

He was transferred to Broadmoor high-security hospital from the category A prison Belmarsh this week after it was concluded that he could not be managed safely in a prison environment, sources confirmed.

President’s remarks follow Houthi strikes on Saudi tankers in the Red Sea and oil prices rising past $100 a barrel again

Donald Trump has said he is close to deciding whether to launch “a massive attack” against Iran, on a scale larger than strikes already witnessed during the months-long conflict with Tehran.

Speaking to the Axios news site, the US president said: “I am considering a massive attack. Bigger than ever before. I am close to making a decision. We are all set for it.”